ALLIANCE FRANCAISE CELEBRATES ISABELLE ADJANI WITH CLASSICS RETRO SEASON

The mighty screen presence of iconic French actress Isabelle Adjani will be celebrated at the 2019 Alliance Française Classic Film Festival, with a program of seven masterworks featuring the fierce, luminous talent of arguably France’s greatest screen star. The winner of a record five ‘Best Actress’ César Awards, Adjani has appeared in 30 films since her debut at the age of 14 in Bernard Toublanc-Michel’s Le petit bougnat (1970). Says Philippe Platel, the Alliance Française Classic Film Festival’s Artistic Director, “Throughout her internationally acclaimed career, there have contrasting ‘Adjanian’ heroines, at once rebellious and delicate, bold and shy, fire and ice. Defining Isabelle Adjani as a legend, the quintessence of a star, would not [be] sufficient to give a sense of the complexity that surrounds the ‘Mystère Adjani.’”

The retrospective season, featuring the films below, begins in Sydney on November 3, at the Palace Norton Street and Cremorne Orpheum cinemas; and, in Melbourne from November 10 at The Astor Theatre. Check the Alliance Française Classic Film Festival website for further venue and session details.   

THE STORY OF ADELE H. (L’histoire d’Adèle H.; 1975) Dir: François Truffaut
L’ intrigue: In 1863, Adèle Hugo (daughter of renowned French writer Victor Hugo) is in love with British lieutenant Albert Pinson (Bruce Robinson). Despite the Lieutenant rejecting her affections, Adèle’s obsession grows and she eventually succumbs to her wild delusions.
Histoire: After witnessing Adjani’s superb performance in Claude Pinoteau’s The Slap (1974), François Truffaut (pictured, right; with Adjani on-set) sought her for his next film, a historical drama upon the diary of Adèle Hugo. At only 19 years of age, Adjani earned an Academy Award nomination - the youngest ‘Best Actress’ nominee ever at the time.

POSSESSION (1981) Dir: Andrzej Zulawski
L’ intrigue: Faced with an impending divorce from his wife for no apparent reason, Mark (Sam Neill) sets out to uncover the truth behind his wife Anna’s erratic behaviour. He follows her as she descends into extremes of madness, only to discover his suspicions of infidelity have led to something far more sinister.
Histoire: This psychological horror drama defies easy classification and was delivered by one of the most revolutionary filmmakers to emerge from Poland after World War II, Andrzej Zulawski. Adjani’s performance garnered both César and Cannes Film Festival Awards for ‘Best Actress’.

ALL FIRED UP (Tout feu, tout flame; 1982) Dir: Jeau-Paul Rappeneau
L’ intrigue: Pauline (Adjani) is right to be suspicious when her absentee father reappears suddenly. The charming Victor (Montand) has returned to Paris to scrounge for money. A complex, occasional comical struggle emerges between the two and soon, both father and daughter are fending off mobsters.  
Histoire: Adjani and Yves Montand shine in this entertaining farcical thriller, enhanced by a great cast and an amazing soundtrack, composed by the famous French singer Michel Berger.

ONE DEADLY SUMMER (L’été meurtier; 1983) Dir: Jean Becker                                                    
L’ intrigue: The alluring Eliane Wieck moves to a sun-drenched provincial town in Southern France, where the local mechanic Pin-Pon (Alain Souchon), falls in love with her. They are soon married, yet circumstances around Eliane’s arrival remain mysterious. What prompted the family’s move? Is Eliane really in love?
Histoire: An adaptation of Sébastien Japrisot’s novel, this film garnered four Césars in 1983, including ‘Best Original Screenplay’ and ‘Best Editing’. Adjani delivers a captivating performance as a traumatised woman harbouring a terrible secret, which would earn her a second César.

QUEEN MARGOT (La Reine Margot; 1994; RESTORED VERSION) Dir: Patrice Chéreau
L’ intrigue: In 1572, tensions between Catholics and Protestants are at an all-time high. When Marguerite de Valois (Adjani), a Catholic woman, is forced to wed prominent Protestant Huguenot Henri of Navarre (Daniel Auteuil) a wave of increasingly shocking events unfold, culminating in the notorious St. Bartholomew's Day massacre.
Histoire: Queen Margot was director Patrice Chéreau’s greatest success, winning the Jury Prize at the 1994 Cannes Film Festival and five César Awards, including Adjani’s fourth ‘Best Actress’ Award. Raging with passion, sex and violence, Queen Margot is a powerful and provocative film.

SUBWAY (1985; SYDNEY ONLY) Dir: Luc Besson
L’ intrigue: Having stolen compromising documents from a shady businessman, Fred (Christophe Lambert), takes refuge in the Paris Metro. Here, he encounters a subterranean society of eccentric characters and petty criminals and develops a romance with a gangster's young trophy wife, Héléna (Adjani).
Histoire: An international blockbuster that launched Christophe Lambert, director Luc Besson and Adjani globally, the visually dazzling Subway was praised by The New York Times for its "highly energetic visual style". Lambert won a César for ‘Best Actor’; composer Eric Serra was nominated for ‘Best Sound’ Award. Good humour, superb music, wild 80s fashion and great acting make this unashamedly crowd-pleasing movie a must see.

CAMILLE CLAUDEL (1988; RESTORED VERSION) Dir: Bruno Nuytten      
L’ intrigue: Set at the beginning of the 1880s, this artistic triumph recounts the tumultuous relationship between Claudel and sculptor Auguste Rodin (Gérard Depardieu)., While it captures the mad genius of Rodin, it also profiles an ambitious woman who is driven to insanity and imprisoned by the societal conventions of her time.                                     
Histoire: In her role as co-producer, Adjani hired Bruno Nuytten (with whom she shares a son) as director of this multi-award winning film, a sensual and impassioned biopic now considered a classic. It would earn five Césars and Adjani a second ‘Best Actress’ nomination at the Academy Awards.