2020 OCEAN FILM FESTIVAL
Friday, March 6, 2020 at 2:05PM Reviewed at the Hayden Orpheum Picture Palace, Cremorne, Sydney on March 5, 2020.
Rating: ★ ★ ★ ★ ½
Those special humans that feel an attachment to the world’s great bodies of water are unshakeable in their bond. Sportsman, adventurers, explorers, whether upon or below the oceans, lakes and rivers of our planet, are so steadfast in their connection to ‘The Big Blue’, it takes a rare filmmaking talent to convincingly represent their passion on screen.
The Ocean Film Festival understands both its audience and its contributing filmmakers like few events of its kind. Once again guided by Festival Director Jemima Robinson, the 2020 incarnation exudes a more pure sense of celebratory ‘oneness’ than perhaps any other edition in the festival’s history. At the Hayden Orpheum Picture Palace on Sydney’s north shore last night, the evening was enhanced by pre- and mid-show live musical accompaniment, an understated sponsor presence and warmly professional hosting skills that further united the sell-out crowd.
The two-tiered program featured seven films, beginning with the playful, funny A CAMEL FINDS WATER (Dir: Ian Durkin; 8 mins; USA), an account of how a discarded, landlocked hull was resurrected to its former glory, now serving as a run-about for two British Columbian surfers, Trevor Gordon and Tosh Clements. Evoking the same sense of joy that one derives from stories of damaged animals finding new owners, A Camel Finds Water (pictured, above) is a short, sweet story celebrating a destiny fulfilled.
The true tragedy of how global warming has impacted polar bears is starkly conveyed in BARE EXISTENCE (Dir: Max Lowe; 19 mins; USA). Detailing how bears now need to spend long periods on shore instead of hunting seals in the open sea, Max Lowe’s bleak, beautiful film defines the connection between a township, its people and the plight of the increasingly desperate wild animals they live with. In one tragic turn-of-events, his cameras capture an act of infanticide brought on by starvation. Presented in conjunction with the conservation group Polar Bears International, it is a sobering work.
Nature’s wonder at its most beautiful and brutal is also central to the mini-feature DEEP SEA CORALS OF POLYNESIA (Dirs: Ghislain and Emmanuelle Bardout; 36 mins; France). Having achieved fame for their dives under the North Pole ice flows, Ghislain and Emmanuelle Bardout seek warmer climes in French Polynesia, where they join a team of biologists deep-diving to 170 metres to discover previously unknown forms of coral. The azure beauty of the region and emotional sense of discovery is shattered in one extraordinary moment when, in a frenzied defence of its territory, a black-tip reef shark turns on one diver; the footage is terrifying.
The second half of the evening began with SCOTT PORTELLI: SWIMMING WITH GENTLE GIANTS (Dir: Stefan Andrews; 10 mins; Australia), a profile of the acclaimed undersea wildlife photography as he interacts with humpback whales. Not for the first time this evening, like-minded audience members related audibly with the film, emitting sounds of awe at footage of mothers and their calves. Similar warmth was clearly felt for a very brief short that profiled Grace and Phil Hampton, an octogenarian couple who, in July 2017, entered the Guinness Book of Records as ‘The Oldest Married Couple to Scuba Dive.’
The 2020 Ocean Film Festival wraps up on two works of staggering visual beauty. Utilising the structure of a traditional surfing ‘road movie’, A CORNER OF THE EARTH (Dir: Spencer Frost; 26 mins; Australia) accompanies pro-surfer Fraser Dovell and his boisterous bros on a sort of ‘Endless Winter’ odyssey to the black surf of the brutally picturesque Arctic (accompanied by the night’s best soundtrack); then, a forty year-old canoe journey into Alaska’s majestic Inside Passage comes full circle, as a family’s legacy is fulfilled in THE PASSAGE (Dir: Nate Dappen; 25 mins; USA).
The spiritual connection that audiences shares with filmmakers, their protagonists and the environments on-screen make these sessions some of the most deeply rewarding on the festival calendar. That affinity for and understanding of what programming an environmentally-themed film event means to their patrons is one of the great strengths of the Ocean Film Festival.
The 2020 OCEAN FILM FESTIVAL (AUSTRALIA) is currently screening at selected venues across Australia. For all ticket and venue information, visit the event's official website.
