WARWICK THORNTON'S LATEST IN CANNES CONTENTION

Award-winning First Nations filmmaker’s Warwick Thornton’s spiritual drama The New Boy has been selected for this years’ Cannes Film Festival Un Certain Regard program. This is the second film from Thornton to appear at the festival, after winning the Caméra d'Or Award for Samson & Delilah in 2009.

The New Boy stars Cate Blanchett, Deborah Mailman, Wayne Blair, and newcomer Aswan Reid (pictured, above) in the titular role. An ensemble of new faces, including Shane Brady, Tyrique Brady, Laiken Woolmington, Kailem Miller, Kyle Miller, Tyzailin Roderick and Tyler Spencer, round out the cast.

Set in 1940s Australia, The New Boy is the story of a nine-year-old Aboriginal orphan boy (Reid) who arrives in the dead of night at a remote monastery, run by a renegade nun (Blanchett), where his presence disturbs the delicately balanced world in this story of spiritual struggle and the cost of survival.

The New Boy was filmed in South Australia, with major production funding from Screen Australia’s First Nations Department. The film is produced by Kath Shelper for Scarlett Pictures, Cate Blanchett, Andrew Upton and co-producer Georgie Pym for Dirty Films, and Lorenzo De Maio (of De Maio Entertainment), with Coco Francini serving as executive producer for Dirty Films alongside Gretel Packer for Longbridge Nominees.

Screen Australia’s Head of First Nations, Angela Bates said, “It’s one of the most prestigious film festivals in the world and it’s fantastic to see Warwick return. He is a creative genius whose auteurial voice creates conversation, and this film is no different. Warwick is also known for discovering new talent such as Aswan Reid, who shines in this exquisite and thought-provoking film.”

Thornton is one of Australia’s most celebrated filmmakers, most notably for his critically acclaimed Sweet Country, for which he won the Special Jury Prize at the Venice Film Festival and the Platform Prize at the Toronto International Film Festival in 2017; and Samson and Delilah, for which he won the Caméra d’Or at the 2009 Cannes Film Festival. Both films won the AACTA Award for Best Film.