Another round of enticing pics have emerged from director Joshua Boone’s long-delayed X-Men spin-off, The New Mutants, but is it too little too late?
Hot off the box office success of his 2014 YA adaptation The Fault in Our Stars, Boone and offsider Knate Lee used panels from the graphic novel by Chris Claremont and Bill Sienkiewicz to pitch the project at 20th Century Fox. Principal photography began in July 2017, with an impressive cast headlined by Anja Taylor-Joy as Illyana Rasputin / Magik, a Russian mutant with sorcery powers and a purple dragon called Lockheed, and Game of Thrones’ actress Maisie Williams as Rahne Sinclair / Wolfsbane, a Scottish mutant in command of her own brand of lycanthropy.
The latest series of images suggest the ‘nightmarish fantasy’ element has been amped up. Former Fox CEO Stacey Snider told Variety that the cut she saw was, “Breakfast Club meets One Flew Over the Cuckoo’s Nest”, while Boone cites the institutionalized horror of A Nightmare on Elm Street 3: Dream Warriors as a key inspiration. The April edition of special effects bible Cinefex Magazine features impressive shots of ‘Demon Bear’ towering over Taylor-Joy’s Majic and a hideous creation tagged ‘Smiley Man’.
The subject of much fan speculation and industry conjecture, The New Mutants has to date juggled planned reshoots, internal bickering over final cut rights, the Disney acquisition of 20th Century Fox and, for good measure, a global pandemic that shuttered cinemas indefinitely. So far, it has been allocated then bumped from April 13, 2018 to February 2019 to August 2019 to April 3, 2020; been cut to suit a PG-13 rating from its original R-rated vision (though some reports suggest the R version is back in place); and, watched from the sidelines as X-Men Dark Phoenix bombed, tarnishing the core brand.
With the streaming platform business booming, the seemingly cursed film has been touted as a prime candidate for a home viewing premiere. Disney were quick to signal that is always an option when they bumped Kenneth Branagh’s Artemis Fowl from a theatrical slot to the small-screen, where it premieres June 12. But a complicated contractual arrangement that dictates HBO gets current Fox product until 2022 means that Disney (or, more likely, their adult-oriented platform, Hulu) are unlikely to premiere it without a multiplex run.
Word spread overnight that the film was available for pre-order on VOD platform Amazon Prime. No release date was confirmed, but prices suggested it would be a home-viewing premiere, with the streaming service charging US$25.99/£13.99 before the link was removed. None of the other streaming services offered a pre-order option, suggesting slippery fingers at Amazon Prime may have ‘accidentally’ gone live with the page prematurely.
Co-starring Blu Hunt (pictured, above) as Native American mutant Danielle Moonstar / Mirage, Brazilian actor Henry Zaga as solar energy manipulator Roberto da Costa / Sunspot, and Charlie Heaton as human projectile Sam Guthrie / Cannonball, The New Mutants carries with it a great deal of industry expectation. In the wake of the expensive implosion of Dark Phoenix at the international box office, Joshua Boone’s new-look X-Men adventure takes on the added responsibility of a brand reboot; a fresh take on an ageing franchise to appeal to a younger audience. The original 1980's setting was made contemporary, while series' holdovers James McAvoy, as Professor Xavier, and Alexandra Shipp, who played Storm in 2016’s X-Men: Apocalypse, disappeared from key roles as new drafts of the script were developed.
The latest release date for The New Mutants has yet to be announced.
Even with a filmography that includes gorehound favourites like Blood Moon Rising (2009), Slaughter Creek (2011) and .357 (2013), Brian Skiba must have been in the most adventurous of creative moods when he decided to sign on for Rottentail, the blood-soaked and bawdy big-screen adaptation of author and friend David Hayes underground graphic novel classic. “The concept of a bunny man going home to seek revenge on high school bullies is just so out there, I knew that I wanted to be the guy to helm such a project,” Skiba says, securing a cast that includes Dominique Swain, William McNamara and an up-for-anything Corin Nemec in the title role (pictured, below; Skiba, left, and his leading man). “It’s okay to laugh, I promise,” the director told SCREEN-SPACE in a lengthy interview ahead of Rottentail's assault on select U.S. theatres from April 12.
SCREEN-SPACE: When did you first attach yourself to the adaptation? What was it about the creative minds behind the novel that you gravitated towards?
SKIBA: The writer David Hayes, who is a long-time friend, introduced me to Travis McIntire of Source Point Press and together the three of us developed of the film. I’d read the graphic novel and thought it was very funny with roots that dug into something much deeper. Rottentail is the typical David Hayes screwball humour with a twist of demented horror and a splash of social commentary. David was a huge contributor on my first feature, Blood Moon Rising. I can attribute a lot of my success directly to him and will always be grateful for his help and direction in my career.
SCREEN-SPACE: You mash-up some classic sub-genres - body-horror in the first act; the vengeful anti-hero in the second half. And there are classic ‘romantic literature’ archetypes at work, recalling Beauty and The Beast or The Hunchback of Notre Dame. Rottentail has legitimate roots in the great monsters of lore…
SKIBA: (Laughs) Thank you and yes, David and I are both English majors who love to mash genres. When we wrote the adaptation we were very focused on making Rottentail an anti-hero-monster who harkens back to the classic monsters mentioned above. We wanted the audience to cheer for Rottentail. With regards to him being “The Beast”, I think that’s a great example of how we wrote the relationship between Rottentail and Anna. Spoiler alert… I love tragic endings.
SCREEN-SPACE: Rottentail recalls the unleashed id of iconic characters like The Toxic Avenger and Brundlefly. What were the films and filmmakers that influenced you and your directing style?
SKIBA: I was that kid who would stay up all night watching every ‘B’ movie deemed “bad” by my parents that hit the antenna of my tiny 8” dial colour TV. Kids these days have it so easy; if they knew the positions I would lay in while holding that antenna, just so I could get reception. (Laughs) And then rental stores became a thing and that was a whole new addiction. Films like Bloody Mama, Children of the Corn, Rolling Thunder, Ice Pirates, Cold Sweat, Enter the Dragon, and Swamp Thing; directors like Sam Raimi, De Palma, Craven, Carpenter, Bruce Lee and the comedy of Mel Brooks, Monty Python, and Cheech and Chong. I remember the first time I watched John Waters’ Pink Flamingo and I was like, ‘Holy shit, that is a work of art.’ I love really big characters that have deranged motives for almost no reason, so Rottentail made sense to me.
SCREEN-SPACE: The aesthetic screams ‘80s VHS horror. There is an authentic ‘griminess’ about the design and look of this film…
SKIBA: I chose a hybrid of old VHS and that ‘dirty film’ look, to homage those old VHS tapes. There is something to be said about some 16mm grain, dirty pixels, a six-foot bunny-man, an evil preacher, and fifty gallons of blood. To me, that’s a film. Furthermore, you can’t just get the ‘grindhouse look’ out of a camera these days, you have to artistically create it, or re-create, and to me that process has become an art that I enjoy. Rottentail is a grindhouse homage to the films I loved to watch as a pre-teen during the ‘80s. (Pictured, right; Skiba with friend)
SCREEN-SPACE: Given that he’s also an ugly manifestation of angry masculinity, what elements make Rottentail a character for these times?
SKIBA: You have to look at the entire Rottentail story to understand why we designed his look like we did. In our current day of instant gratification, we’ve also entered the age of instant demoralization. It’s so easy to feel like a complete piece of shit after spending five minutes on social media. There is always someone richer, stronger, faster, sexier, better than you. Bullies can create a fake identity, go to someone’s profile, and virtually beat him or her up with little or no consequence. ‘Peter Cotten’ is the embodiment of a geek who has been abused all his life. As Rottentail, Peter gets everything he’s ever wanted, and then realizes that all he ever needed was revenge on the bullies who killed his pet rabbit and to get with his high school crush, Anna. The message that makes Rottentail a character for these times is: Attention bullies of the world! If you kill someone’s pet rabbit (or post shitty stuff on Instagram or Facebook) watch out! You never know what mutated son of a bitch will pop out and pay what’s due.
SCREEN-SPACE: What was the pitch to Corin Nemec that got him on board? What did he bring to ‘Rottentail’ that was so crucial to the character?
SKIBA: When we started casting Rottentail I went through a couple hundred actors but didn’t feel any of them were the right fit. I asked (casting director) Ricki Masler to call Corin Nemec, who is a great character actor and just maybe would do this part for me. A few hours later I was on the phone with Corin, who is a prolific painter and collects graphic novels. He read Rottentail long before our conversation and when I mentioned the title, and the fact he would play Rottentail, Corin was in. He studied the movements of rabbits, how they ate, even how they copulated. We had his fake teeth made months before we shot the film and he would call me with different voices while wearing the teeth around his house. When he walked onto set after two-hours in the make-up chair, I knew he was Rottentail. He embodied the role and gave us little gems that still make me laugh, even after seeing the film a couple hundred times. (Pictured, above; Nemec as 'Peter Cotten')
SCREEN-SPACE: What essential quality did real-world/non-CGI gore and prosthetic artistry bring to your film?
SKIBA: If I can do it practically, I will. I would study book after book as a kid on how to build creatures and models for film. The process fascinated me. When you apply prosthetics to an actor there is a soul under all that foam and latex that gives the character life. This is something that CGI can’t emulate. When David and Travis came to me and asked that I direct the film, I told them my one term was that Rottentail had to look amazing no matter the cost. I reached out to producer Josh Tessier and he called Todd Tucker, known for Mrs. Doubtfire and Pirates of the Caribbean. Todd doesn’t do every film that drops on his front door step, but after I pitched him my vision for Rottentail, he was in. His company provided our makeup effects, puppetry and special effects. I was very lucky to have such a great artist working with us.
SCREEN-SPACE: The thrill of seeing a man-rabbit on a killing spree aside, what do you hope your audience takes from the film?
SKIBA: I want them to laugh! This film has dumb moments, cheap moments, trashy moments, and just plain outrageously wrong moments. Laugh at it! Take ninety minutes of your life, let go of being politically correct, let the air out of the stuffy room! Forget the day to day grind that makes you an adult and re-live a simpler time, when we were all young and movies came in a little black box with reel-to-reel magnetic tape that sometimes made more noise than the single TV speaker. Because, even without the high-end, million-dollar visual effects, those movies were pretty damn good and really fun to watch.
Tuesday, May 5, 2020 at 12:21PM 
