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Nov022013

RIP HAL NEEDHAM

Ace stuntman and action-comedy auteur Hal Needham will never be spoken of in the same sentence as the Kubricks or the Godards of the film world. But nor would he want to be, it would seem; as he was famously quoted at the height of his career, ““Directing, it’s a snap.” His passing on October 25 at the age of 82 from cancer brought his life to an end but his legendary status grows stronger.

Born Harold Brett Needham on March 6, 1931, in America’s deep-south, Needham served his country as a paratrooper in the Korean War before settling on the west coast and drifting into rough’n’tumble bit parts in the booming TV industry (he doubled for Richard Boone in over 200 episodes of Have Gun, Will Travel).

Soon graduating to stuntman status, it was during this period that he pulled off what many consider to be one of his greatest stunts. For the series You Asked For It, he leapt from a single-engine airplane and tackled a horseback rider to the ground (pictured, right). In a 2011 interview to coincide with the release of his autobiography, ‘Stuntman!’, he recalls, "The rate of speed that we closed on that horse was unbelievable. That plane was doing about 58 mph. I had to jump 15 to 20 feet before I even got to him and I had to catch him, not the horse."

He was soon co-ordinating and performing stunts on such films as How The West Was Won, The Man Who Shot Liberty Valance, The Bridge at Remagen, Major Dundee, The Great Race, McLintock!, McQ and The War Lord. In 1970, he devised and performed a groundbreaking horse-stunt for Arthur Penn’s Little Big Man, in which he climbs on the back of harnessed stage-coach horses at full gallop. “We worked with the horses for six months to get them ready,” he says, “(and) it took us two days to shoot the damn thing. And we made a lot of money, but it was scary. If you didn't make it, you'd have six horses and a 4500-pound stagecoach running you over."

His career took a fateful turn when he was cast as stunt double for a young Hollywood up-and-comer named Burt Reynolds on the set of the series, Riverboat – a gig which led to steady TV work with the actor in Gunsmoke and Dan August. Over the next dozen years, Needham and Reynolds (himself, an ex-fallguy) became close friends, working on films such as White Lightning, Lucky Lady, The End, Nickelodeon and The Longest Yard. On 1976’s Gator, a stunt involving a rolling pick-up truck was a near-miss. “That fender only missed me by 18 inches,” Needham remembers. “Had the truck gone straight and not turned over, it would have landed right on top me."

Having shot 2nd Unit work on several of Reynolds films, Needham was keen to step into the director’s chair. When the star brought him a script about a free-wheelin’ bootlegger evading dimwitted cops across America’s heartland, Needham took it on as his directorial debut. 1977’s Smokey and The Bandit would become a blockbuster hit and solidify one of the most profitable actor-director partnerships in movie history. Hooper, Smokey and The Bandit II, The Cannonball Run (pictured, below right; Needham and Reynolds with co-star Dom DeLuise) and its sequel and Stroker Ace were hugely popular with mainstream audiences, if never with the critical community. (Needham famously took out trade ads, featuring quotes from his bad reviews behind a wheelbarrow of cash, wryly rubbing his financial success in the nose of his detractors).

Though he can take a lot of credit for introducing the profitable charms of Arnold Schwarzennegger to moviegoers, having directed him in 1979’s Cactus Jack (aka, The Villain), Needham began to fall out of favour with young Hollywood executives when his big-budget fantasy Megaforce, BMX adventure Rad and broad wrestling comedy Body Slam all flopped in the 1980s (though all, it should be noted, have achieved VHS-fuelled cult status).

Needham had no pretensions as to his standing in the industry. He once said, ““I know one thing; I’ll never win an Academy Award. But I'll be a rich son of bitch.” He was proven wrong in November of 2012, when he was awarded with an honorary Oscar at the Governor’s Awards. 

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