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Entries in Film Festival (19)

Monday
May032021

PREVIEW: 2021 SOUTH AFRICAN FILM FESTIVAL

The South African Film Festival (SAFF) will present a unique and engaging collection of nine documentaries, five features and two short films when it returns in 2021. Unfolding from May 12-24, the festival will adopt a virtual program roster ahead of special event closing night screenings in Sydney and Melbourne.

“This year’s line-up presents an exciting mix of daring narratives, striking cinematography and deep explorations into South African culture and community,” said Festival Director Claire Jankelson. “South Africa produces some of the richest cinematic stories the world over. Much like the country itself, the films that come are at once challenging, bold, beautiful and heartwarming.” Thematically, the films selected for the 2021 SAFF reflect the nation’s diverse population, rich tradition of struggle for democracy and equality, and complex political and economic reality.

Films will premiere across Australia via the festival website, as well as extending its audience into New Zealand. The theatrical experience will not be lost entirely, with the festival presenting a special Closing Night session of the acclaimed feature, Barakat (pictured, right), a glimpse into the heart of the Muslim community of Cape Town, seen through the prism of one family’s complex modern life. Closing Night sessions of director Amy Jephta moving film will be held at Sydney’s Event Cinemas Bondi Junction and Castle Hill and the Classic Cinema in the Melbourne suburb of Elsternwick.

Leading the program highlights is Rene van Rooyen’s Toorbos, based on a novel by celebrated Afrikaans author Dalene Matthee. A moving romantic odyssey set against the stunning surrounds of the iconic Knysna forest region, South Africa’s official Oscar submission chronicles a woman blossoming against the destruction of her environment. 

Other feature films on offer include Sunu Gonera’s Riding with Sugar, an action-packed film about a young refugee's quest for BMX glory and the pursuit of identity, safety, happiness and love; Meg Rickard’s Tess is a raw, confronting and emotionally charged adaption of Tracey Farren’s novel ‘Whiplash,’ and follows a 20-year-old prostitute and addict in Cape Town whose life is turned upside-down by an unexpected pregnancy; and, Tebogo Malope’s For Love and Broken Bones, an unexpectedly tender gangster flick featuring a jazz musician debt collector who falls in love with his latest assignment, a wedding planner.

Reflecting a nation still reconciling with its apartheid past, four documentaries reflect upon South Africa’s modern history and the impact it will have on the future of the country. The factual film line-up includes Dugald MacDonald’s Blindside (pictured, above), an examination of how the 1974 boycott-breaking tour by the British rugby team became a powerful tool in helping to dismantle apartheid; District Six Rising from the Dust, director Weaam Williams’ personal account of her return to the ancestral community in Cape Town from which her family and thousands of others were forcibly removed during apartheid; and, Anthony Fabian’s upbeat Good Hope, a positive look at what the post–apartheid ‘Born Free’ generation are doing to create a brighter future.

Other documentaries in the festival include Jozi Gold, co-directors Fredrik Gertten and Sylvia Vollenhoven’s exposé of the dark heart of the nation’s mining sector; Diana Neille and Richard Poplak’s Influence, a revealing look at the immoral and weaponised influence wielded by disgraced British PR firm, Bell Pottinger; a 10th anniversary retrospective release of Mama Africa, Mika Kaurismäki’s moving account of the life of artist and activist Miriam Makeba, whose legendary singing became a passionate message of black liberation; and, Richard Wicksteed’s SanDance!, a stunning study in the culture of dance in southern Africa’s oldest tribe, the San.

Two powerful shorts feature in the 2021 line-up. Toby Wosskow’s Sides of a Horn uses a hybrid of dramatic and documentary styles to look at rhino poaching through two fictional antagonists, a ranger and a poacher, while Sibusiso Khuzwayo’s Letter Reader (pictured, right) follows a twelve-year-old boy’s ascent to the exalted position of his village’s letter reader.

All proceeds go to supporting Education Without Borders programs that assist young South Africans in some of the country’s most disadvantaged communities. The funds generated by this year’s Festival will support vulnerable groups in South Africa, of particular importance this year given the impact of COVID-19.

The 2021 South African Film Festival program and ticketing details are available at www.saff.org.au

Friday
Feb052021

PREVIEW: 2021 ALLIANCE FRANCAIS FRENCH FILM FESTIVAL

A 4K restoration of director Jean-Luc Godard’s masterpiece, Breathless (À bout de souffle; 1960) is just one of the many cinematic gems to shine as part of the 32nd Alliance Française French Film Festival, one of the largest celebrations of French cinema in the world. The 2021 edition of the festival will beguile and engage theatrical audiences nationally from March 2 until mid-April at 25 locations, all of which will be adhering to stringent Covid protocols to guarantee Festival patrons a safe cinema experience. 


Godard’s iconic film, acknowledged as one of the earliest and most potent examples of French New Wave cinema, emerged as the epitome of 60s cinematic cool, inspiring a generation of moviemakers. Based on a story by Francois Truffaut and photographed by New Wave legend Raoul Coutard, the film stars Jean-Paul Belmondo and Jean Seberg (pictured, above) as narcissistic young lovers on the run from authorities following a violent and impulsive crime.

Courtesy of StudioCanal Australia, the Festival will launch with the World Premiere of Eiffel, a sumptuous, romantic, costume drama which explores the passionate love affair between celebrated engineer Gustave Eiffel, whose company designed and built France’s iconic Eiffel Tower, and Adrienne, a mysterious woman from his past.  Portraying these ardent lovers will be French superstar Romain Duris (pictured, right), and the magnetic Emma Mackey.

Presented by the Alliance Française in association with the Embassy of France in Australia and key sponsor Peugeot Australia, this year’s line-up of 37 features has something to delight the most discerning French cinephile. The star-laden program brings Australian audiences the latest works from such favourites as Lambert Wilson (in Gabriel Le Bomin’s De Gaulle); Isabelle Huppert (in Jean-Paul Salomé’s The Godmother); Valeria Bruni Tedeschi (in Summer of ‘85, the latest from acclaimed director François Ozon); Omar Sy (in Anne Fontaine’s Night Shift); and, Adèle Exarchopoulos (in Mandibles, from cult filmmaker Quentin Dupieux).

 

Closing Night honours have gone to #Iamhere (jesuislà) an endearing culture-clash comedy from director Éric Lartigau (The Bélier Family), starring Alain Chabat as an eminent French chef who travels to the other side of the world after he falls in love via Instagram.

Other highlights of this year’s line-up include: 

ALINE (Dir: Valérie Lemercier)                                        
Cast:  Valérie Lemercier, Sylvain Marcel & Martine Fontaine. Inspired by singing sensation Céline Dion, Aline is the story of a teenager from Quebec whose powerful voice propels her onto the world stage to become the darling of millions. 

APPEARANCES (Dir: Marc Fitoussi)                                
Cast: Benjamin Biolay, Karin Viard, Lucas Englander & Laetitia Dosch. The new film from writer/director Marc Fitoussi, Appearances is a sexy, Chabrol-esque marital thriller, set against a luxe Vienna backdrop (pictured, right).

BLACK BOX (Dir: Yann Gozlan) 
Cast: Pierre Niney, Lou de Laâge & André Dussollier. Uncovering secrets carries a devastating toll in this thrilling story about one man’s determination to get to the bottom of what caused a horrifying plane crash.

CALAMITY, A CHILDHOOD OF MARTHA JANE CANNARY (Dir: Rémi Chayét)                                  
Voice Cast: Salomé Boulven, Alexandra Lamy & Alexis Tomassian. Before she was frontierswoman ‘Calamity Jane’, she was a high-spirited 12-year-old girl named Martha, fiercely loyal to her family with a defiant streak. Winner of the Feature Film ‘Cristal’ at the 2020 Annecy International Animation Film Festival. 

DELETE HISTORY (Effacer l'historique; Dirs: Gustave Kervern & Benoît Delépine) 
Cast: Blanche Gardin, Corinne Masiero, Denis Podalydès & Vincent Lacoste & Benoît Poelvoorde. If the complexities of the online world leave you feeling lost, confused or furious, then this laugh-out-loud film is for you. Directed by renegade duo Gustave Kervern and Benoît Delépine; won the 70th Silver Bear Berlinale prize at Berlin International Film Festival.  

GAGARINE (Dirs: Fanny Liatard & Jérémy Trouilh)                         
Cast: Lyna Khoudri, Alséni Bathily & Finnegan Oldfield. When the housing project that he calls home is condemned for demolition, 16-year-old aspiring astronaut Youri knows there is no way it can go down without a fight. Premiering at Cannes in 2020, Gagarine is a powerful story of class, race, imagination and wonder.

LOVE AFFAIR(S) (Les choses qu'on dit, les choses qu'on fait; Dir: Emmanuel Mouret)                             Cast: Camélia Jordana, Niels Schneider & Emilie Dequenne. When two strangers are left alone in the French countryside, they fill their time by regaling each other with stories of love gained and lost. Referred to as a “more serious Love Actually”; an entertaining and surprising exploration of the complexities of modern love. 

MISS (Dir: Ruben Alves)                                  
Cast: Alexandre Wetter, Pascale Arbillot & Thibault de Montalembert. Androgynous model Wetter plays a young boy who dreams of conquering the Miss France pageant. Miss is an inspiring, though-provoking film that tears apart our preconceptions of gender. 

POLY (Dir: Nicolas Vanier) 
Cast: François Cluzet, Julie Gayet & Patrick Timsit. Travel back to the breathtaking Cévennes region of the 1960s to meet Poly the Shetland pony, an inspiration for generations of children ever since she jumped from the pages of Cécile Aubry’s much-loved novel (pictured, right). 

SKIES OF LEBANON (Dir: Chloé Mazlo)     
Cast: Alba Rohrwacher, Wajdi Mouawad & Isabelle Zighondi.A poetic blending of the personal and political, this Cannes selection combines live action with animation to create a vivid picture of Lebanon and a heart-breaking story of love during wartime; inspired by the family history of filmmaker Chloé Mazlo.

SMALL COUNTRY: AN AFRICAN CHILDHOOD (Dir: Éric Barbier)                                     
Cast: Jean-Paul Rouve, Isabelle Kabano & Djibril Vancoppenolle. This powerful true story recounts the life of a young boy growing up in Burundi during the 1990s, experiencing the tidal wave of violence and unrest from neighbouring Rwanda. 

Screening at Palace Cinemas nationwide, the 32nd Alliance Française French Film Festival begins in Sydney (March 2-31), before seasons in Melbourne (March 3-31), Canberra (March 4-31), Perth (March 10-April 7), Hobart (March 11-20), Brisbane (March 17-April 13), Adelaide (March 23-April 20), Byron Bay (March 24-April 14) and at the Riverside Theatres in Parramatta (April 8-11).

Full event information can be found at the official website

  

Sunday
Nov222020

A WORLD OF SCI-FI HONOURED AT SYDNEY SCIENCE FICTION FILM FESTIVAL

Two stunning works of artistry and fantasy from young filmmakers from the Middle East have taken top honours at the Sydney Science Fiction Film Festival award ceremony, held overnight at the Actors Centre Australia in the city’s inner-west.

The Ron Cobb Best Feature Film prize was awarded to SCALES, Shahad Ameen’s monochromatic masterpiece of patriarchal defiance hailing from the U.A.E.; the film was also nominated for Best Director and Best Lead Actress in a Feature Film. The Best Short Film honour went to the night’s only dual honouree, THE FABRICATED, from young Iranian director Ali Katmiri. The alternate-reality thriller also earned Best Lead Actress in a Short Film for Sonya Esmaeeli, whose acceptance speech (provided only moments before the event) acknowledged fellow students of acting the world over.

       

The festival’s goal of bringing a vast international science fiction program roster to Sydney audiences was reinforced, with movies from Italy, Spain, France, Japan and Australia all factoring in the night’s list of winners. Best Lead Actress in a Feature Film went to Denise Fantucci, star of Italian director Emanuela Rossi’s DARKNESS, for her role as the defiant eldest child of a father determined to keep three sisters away from a world he assures them is a post-apocalyptic wasteland. Spanish actor Javier Botet, whose remarkable physique and gentle performance was a perfect fit for the alien visitor in co-directors Juan Gonzalez and Nando Martinez’s QUEEN OF THE LIZARDS, won Best Lead Actor in a Feature.

Directorial honours went to Yuichi Kondo for A.I-themed romancer RYOKO’S QUBIT SUMMER, already bearing the laurels of several festival wins throughout the year; and, to Baptiste Rouvere, whose ANONYMOUS ANIMALS is building momentum as the most buzzed-about horror/fantasy offering on the global circuit.

The biggest cheers of the evening were, of course, saved for the Australian winners. Genre legend Vernon Wells, an iconic film presence since he terrified audiences 39 years ago as the mohawked ‘Wez’ in George Miller’s Mad Max 2, earned the Best Actor in a Short Film gong for STARSPAWN: OVERTURE, the alien abduction action/thriller that also earned nominations for Best Short Film and Best Director (Short) for Travis Bain.

The all-important Audience Award was bestowed upon the inaugural festival’s Opening Night pic, Mark Toia’s killer-robot action epic, MONSTERS OF MAN, which makes its global online platform debut on December 8. 

The full list of winners and nominees are:    

BEST LEAD ACTRESS in a Feature Film
WINNER: DENISE TANTUCCI (‘Stella’ in DARKNESS; pictured, below)
YUHO YAMASHITA (‘Stereo’ in FONOTUNE: AN ELECTRIC FAIRYTALE)
ZARLIA CHISHOLM (‘Maisey’ in STRANGEVILLE)
MIYUU TESHIMA (‘Arika’ in HIDE & SNIFF)
BRUNA CUSI (‘Berta’ in QUEEN OF THE LIZARDS)
BASSIMA HAJJAR (‘Hayat’ in SCALES)

 

BEST LEAD ACTRESS in a Short Film
WINNER: SONYA ESMAEELI (‘Copy 1’ in THE FABRICATED)
AMELIA CONWAY (‘Alyssa’ in ALYSSA)
EMILY WROLSON (‘Z’ in WAKE ME UP)
SHEILA IVY TRAISTER (‘Sheila’ in REWIND)
NURIA DEULOFEU (‘Niky’ in POLVOTRON 500)
LISE RISOM OLSEN (‘Q’ in Q: GHOSTLY REMOTE EFFECT)

BEST LEAD ACTOR in a Feature Film
WINNER: JAVIER BOTET (‘Javi’ in QUEEN OF THE LIZARDS)
FINT (‘Mono’ in FONOTUNE: AN ELECTRIC FAIRYTALE)
DAVID COOK (’Bruce’ in STRANGEVILLE)
VITO LEO (‘Myles’ in STRANGEVILLE)
KOUTA FUDAUCHI (‘Kouka’ in HIDE & SNIFF)
RINAL MUKHAMETOV (‘Victor’/’The Architect’ in COMA)

BEST LEAD ACTOR in a Short Film
WINNER: VERNON WELLS (‘Randolph’ in STARSPAWN: OVERTURE; pictured, below)
DAVID DOUKHAN (‘Isaac’ in TRANSFERT)
AYMEN BEN HAMIDA (‘Slim’ in MAGNUM OPUS)
LEVI BURGESS (‘Brodie’ in MILK)
DAVID GYASI (‘Elijah’ in LIVING THINGS)
KRIS MAVERICKO (‘Kurt’ in AFTER_LIFE)

BEST DIRECTOR Short Film
WINNER: YUICHI KONDO (RYOKO’S QUBIT SUMMER, Japan)
MERIAM KHEMMASSI (MAGNUM OPUS, Tunisia)
TRAVIS BAIN (STARSPAWN: OVERTURE, Australia)
ALI KATMIRI (THE FABRICATED, Iran)
RICHARD DE CARVALHO (A BLASTER IN THE RIGHT HANDS, Australia)
TRISH HARNETIAUX (YOU WOULDN’T UNDERSTAND, U.S.A)

BEST SHORT FILM
WINNER: THE FABRICATED (Iran)
SPACE PROBE PASSENGER (Poland)
RYOKO’S QUBIT SUMMER (Japan)
AFTER_LIFE (Singapore)
STARSPAWN: OVERTURE (Australia)
THE DAR(k)WIN PROJECT (France)

BEST DIRECTOR Feature Film
WINNER: BAPTISTE ROUVERE (ANONYMOUS ANIMALS, France)
FINT (FONOTUNE: AN ELECTRIC FAIRYTALE, Germany)
EMANUELA ROSSI (DARKNESS, Italy)
KOUSUKE HISHINUMA (HIDE & SNIFF, Japan)
JUAN GONZALEZ & NANDO MARTINEZ (THE QUEEN OF THE LIZARDS, Spain)
SHAHAD AMEEN (SCALES, UAE)

BEST FEATURE FILM
WINNER: SCALES (UAE)
MONSTERS OF MAN (Australia)
DARKNESS (Italy)
FONOTUNE: AN ELECTRIC FAIRYTALE (Germany)
ANONYMOUS ANIMALS (France)
STRANGEVILLE (Australia)
HIDE & SNIFF (Japan)
THE QUEEN OF THE LIZARDS (Spain)
COMA (Russia)
TUNE INTO THE FUTURE (Luxembourg)

AUDIENCE AWARD WINNER:
MONSTERS OF MAN (Australia, Dir: Mark Toia)

Thursday
Aug062020

KINOSCOPE STRANDS, NEW TALENT INITIATIVE FORGING AHEAD ONLINE AT SARAJEVO FILM FEST

At 26, the Sarajevo Film Festival (SFF) is still a young festival by European standards. Youthful exuberance permeates the 2020 program, with no strand more indicative of progressive, cutting-edge curation than the Kinoscope selection, which this year presents a 15 film roster of the best in international cinema via the festivals’ recently-launched online portal.

The SFF Directorate moved from its planned hybrid festival to a wholly virtual event when the Civil Protection Headquarters of Sarajevo Canton and the Federal Ministry of Health issued a COVID-19 action plan on August 4 that included "recommendations to the population in the Federation of [Bosnia and Herzegovina] to avoid public gatherings and limit their movement due to the deteriorating epidemiological situation.” 

Festival organisers, who had employed measures to meet the August 14 launch that allowed for open-air screenings and adhered to social-distancing rules, reacted immediately. The full program, including the Opening night film Concentrate Grandma from director Pjer Žalica (pictured, right), moved to ondemand.sff.ba and will be available to all residents of Bosnia and Herzegovina and its neighbours.

In addition to the core In Focus strand, which presents ten features from the region, and the 49 films vying for honours in the Competitive Programs, the SFF Kinoscope highlights contemporary themes and global film trends. Established in 2012, Kinoscope is programmed by producer and curation veteran Mathilde Henrot and Alessandro Raja (pictured, below), founder of the Festival Scope platform. In 2020, the pair have selected works representing 14 countries, including eight unique visions from women directors.

Under the ‘Kinoscope’ banner, SFF will present Guillaume Brac’s French road-trip comedy, À l'abordage (All Hands on Deck), starring Eric Nantchouang and Asma Messaoudene; Hong Sang-soo’s minimalist drama Domangchin Yeoja (The Woman Who Ran), winner of the 2020 Berlinale Silver Bear for Best Director; the Danish crime family drama Kød & blod (Wildland), from Jeanette Nordahl; Gagarin, the breakout Cannes 2020 hit from co-directors Fanny Liatard and Jérémy Trouilh’ and, Kitty Green’s understated but blistering post-Weinstein/#MeToo statement, The Assistant, with Julia Garner.

‘Kinoscope Real’ offers five works of potent social relevance, presented across a diverse range of genres. The ability for cinema to bring hope to a family in wartorn Donbas is documented in Iryna Tsilyk’s Ukrainian/Lithuanian co-production, Zemlia Blakytna Niby Apel'syn (The Earth is Blue as an Orange); fellow Ukrainian Valentyn Vasyanovych’s bleak, PTSD-themed scifi-er, Atlantis; Garagenvolk (Garage People), director Natalija Yefimkina’s insight into the garage-dwelling communities of Russia’s frozen north; Camilo Restrepo’s revenge thriller Los Conductos (Encounters), a French/Colombian/Brazilian co-pro that chronicles of a man seeking redemption through the killing of a sect leader; and, from the enclaved kingdom of Lesotho in South Africa, the spiritually uplifting eco-drama This is Not a Burial, It’s a Resurrection from filmmaker Lemohang Jeremiah Mosese.

Finally, the artistically fearless films of the ‘Kinoscope Surreal’ selection. These include Shirley, Josephine Decker’s descent into the mad literary mind of author Shirley Jackson, featuring a vivid turn in the title role by Elizabeth Moss; Noah Hutton’s low-tech scifi vision of a man-vs-robot workplace, Lapsis; UK director Rose Glass’ acclaimed thriller Saint Maud, a study in the dangers of hardline religious beliefs as seen through a complex female relationship; the Australian festival hit Relic, starring Emily Mortimer and Bella Heathcote as the mother and daughter who must cope with the horrific manifestations of a matriarch’s dementia; and, South Korean auteur Kim Yong-Hoon’s bag-of-cash mystery/thriller, Beasts that Cling to Straw (pictured, right).

At time of publishing, all these films will be available to Bosnia and Herzegovina residents via the festival screening platform. Also scheduled to be broadcast online will be accompanying programs, lectures and interviews with authors, including the 14th edition of the industry development program Talents Sarajevo, featuring 62 young candidates chosen from the filmmaking communities of Southeast Europe and the South Caucasus.

The SARAJEVO FILM FESTIVAL will commence August 14 at 8.00pm CEST and run until August 21. Visit the event’s Official Website for further details.

Wednesday
Mar112020

EUROPEAN SECTOR CONDEMNS IRAN FOR PERSECUTION OF FILMMAKER

Heads of the European film sector have spoken in unison condemning the imminent incarceration of Iranian filmmaker Mohammad Rasoulof. The director of the 2020 Berlinale Golden Bear winner There is No Evil, a film that casts a critical eye on the consequences of life under authoritarian rule, has been summoned by the Special Prosecutor’s Office for Offenses Relating to Media and Culture to serve one year in prison.

This comes after the Iranian Revolutionary Court sentenced the filmmaker (pictured, above) to one year in prison, with a two-year prohibition against working as a director, for alleged propaganda against the government, in July 2019. The internationally acclaimed Rasoulof, an Un Certain Regard winner for his films Lerd (2017) and Au Revoir (2011), is also under a two-year ban on leaving the country and becoming involved in any social or political activity.

"Summoning me to serve my prison sentence only reveals a small fraction of the intolerance and anger that is characteristic of the Iranian regime’s response to criticism,” Rasoulof says. “Many cultural activists are in prison for criticizing the government." He also points out that Iranian prisons are a hotbed for the Covid-19 virus, with conditions unlikely to change under the current regime. “These conditions call for an immediate response from the international community," he says. (Pictured, right; Baran Rasoulof, daughter of the director, and Ehsan Mirhosseini in There is No Evil). 

Institutions that have declared their support for Rasoulof are The European Film Academy, The Cannes Film Festival, the Deutsche Filmakademie, the Filmförderung Hamburg Schleswig-Holstein, the Filmfest Hamburg, the International Documentary Film Festival Amsterdam, the International Film Festival Rotterdam (IFFR), the Netherlands Film Fund and the Accademia del cinema italiano-Premi David di Donatello. The bodies have collectively called for the charges against him to be retracted and the travel ban against him to be lifted immediately and unconditionally.

Via a press statement, President of the European Film Academy, Wim Wenders, declared, "Our colleague Mohammad Rasoulof is an artist who keeps telling us about a reality we would otherwise know little about. There is No Evil is a deeply humane portrait of people in extreme situations, situations no human should be forced to experience. We need voices like that of Mohammad Rasoulof, voices defending human rights, freedom and dignity." (Pictured, left; actress Baran Rasoulof at the Berlin Film Festival, with her father and director on the phone, following his Golden Bear win).

Ulrich Matthes, President of the Deutsche Filmakademie, adds “His deeply humane films about freedom and oppression have reached so many people worldwide. He is a representative master of Iranian cinema: a rich film culture that has provided us with some of the most compelling stories about the human condition. Mohammad Rasoulof’s films not only tell us about life in Iran but also speak to us in the universal language of cinema to promote empathy and peace."

The European voices are also demanding Rasoulof’s health and safety be ensured and that film festivals, cinema chains and all artists globally make their protestations known to Iranian officials and embassy staff in their region.