The Sydney Film Festival has announced a first wave of programming with 17 new films and events to be featured in this year’s event, set to unspool at sites all over Sydney from June 5-16.
“This selection, though diverse in setting and scope, reveals some common themes: resilience foremost amongst them. These films offer a taste of a Festival program rich with discovery and insight, poised to captivate and inspire,” Sydney Film Festival Director Nashen Moodley said.
Two new Australian films will have their world premiere at the 71st festival. In Vitro, the highly anticipated feature from directors Will Howarth and Tom McKeith, stars Ashley Zukerman (pictured, top) in an Australian sci-fi mystery thriller set on a remote cattle farm in the near future. And in The Pool, director Ian Darling paints a cinematic portrait of a year in the life of the iconic Bondi Icebergs.
From New Zealand comes The Mountain (pictured, right), the directorial debut of actor Rachel House. Executive produced by Taika Waititi, the film centres on three children discovering friendship's healing power through the spirit of adventure as they trek through spectacular New Zealand landscapes.
International festival prize-winners in the first release of films include winner of the Golden Shell for Best Film at San Sebastián, The Rye Horn, a story of a rural Galician midwife who flees after an illegal abortion goes awry. Winner of the Special Jury Prize at Venice, legendary filmmaker Agnieszka Holland’s refugee thriller Green Border raised the ire of some Polish politicians and inspired protests before setting a box office record.
Pepe won the Silver Bear at Berlinale 2024. The film tells the true-ish story of Pepe the hippo who broke free of Pablo Escobar’s private zoo, featuring narration from the multilingual hippo himself. Explanation for Everything (pictured, left) is a Hungarian satire about the culture wars where a student accidentally becomes a figurehead for the right when he is embroiled in a national scandal. The film won the Orizzonti Award for Best Film at the Venice International Film Festival.
One of the hits of Berlinale 2024, Sex follows two married and ostensibly heterosexual chimneysweeps who are unmoored when one of them sleeps with a man and the other begins to question the recurring dreams he’s been having about David Bowie.
Another offbeat tale in the Festival line-up is Clair Titley’s documentary The Contestant, an incredible true story of a TV contestant left naked in a room, unaware his months-long challenge was being broadcast to millions via a Japanese television show.
Gastronomes will find their appetites whetted by Menus-Plaisirs – Les Troisgros (pictured, right), director Frederick Wiseman’s mouth-watering epic set in a three-Michelin-star French restaurant; Mexican director Alonso Ruizpalacios’ La Cocina, featuring Rooney Mara and Raúl Briones in a comedic drama set during the hectic lunch rush at a New York restaurant; and Busan Film Festival favourite House of the Seasons, an intergenerational family saga set in a tofu factory in Daegu, Korea.
Documentaries include COPA ’71, the untold story of the 1971 Women’s Soccer World Cup and their fight against systemic sexism within governing bodies determined to undermine women’s soccer, and The Battle for Laikipia explores the tensions in Kenya's Laikipia region among herders, landholders, and conservationists against a backdrop of drought, politics, and colonial history.
Other highlights announced include Olivier Assayas’ most personal film yet, Suspended Time, about art, memory, and love in the time of COVID; and Oscar-nominated Pawo Choyning Dorji’s The Monk and The Gun (pictured, below), which takes place in rural Bhutan during the lead-up to his country’s first-ever election.
A special film and live music event not to be missed, Hear My Eyes: Hellraiser will give audiences the opportunity to experience Clive Barker’s 1987 extra-dimensional horror classic, re-scored live by EBM explorers Hieroglyphic Being and Robin Fox, and a synched laser-art show at City Recital Hall.
