The SOR crowd at the launch of the 2014 Sydney Film Festival (SFF) program were suitably impressed this years statistics – 183 titles from 47 countries, 15 world premieres and 122 Australian premieres amongst them. There was almost a sense of relief when the announcement came that high-profile titles such as David Michod’s The Rover, Dreamworks Animation’s How To Train Your Dragon 2, Richard Linklater’s Boyhood and The Dardennes Brother’s Two Days One Night would screen, many direct from The Croisette. But what were the real gems, some hidden deep within the program, that suggests the 61st edition of SFF is every true cinephile’s dream…?
BIGSCREEN SOCCER
With the greatest event on the international sports calendar, The World Cup, only weeks away, it should come as no surprise that SFF 2014 catches a little football fever. French sporty splatter-pic Goal of the Dead mashes zombie-apocalypse tropes with Euro-soccer action; Romanian director Corneliu Porumboui commentates uncut footage of a snowbound 1988 game in the bracingly unique The Second Game; two football-mad nations, Italy and Argentina, co-produce Paolo Zucca’s monochromatic farce, The Referee; and, the documentary Next Goal Wins (pictured, above), which charts the resurrection of the Samoan national side after their record-breaking 31-0 loss to Australia in 2001.
THE FILMS OF ISAO TAKAHATA
The animation veteran never achieved the mainstream profile of his Ghibli Studios contemporary, Hiyao Miyazaki, but Isao Takahata (pictured, right) is just as revered in his homeland and amongst aficionados of Japanese cell-art. Arguably his greatest achievement, the heartbreaking survival story Grave of the Fireflies, will screen in the Salute to Studio Ghibli retrospective; his most recent work, the moving, majestic fable The Tale of The Princess Kaguya, will be a Special Presentation screening at the appropriately grand State Theatre.
JAMES BENNING: THE VISIONARY OUTSIDER
Existing in a rarefied cinematic ether full of visions that dance between mainstream film language and avant garde experimentalism, Milwaukee-born Benning is an enigma in international cinema. Nick Bradshaw in Sight and Sound magazine observed, “James Benning’s movies pose an idealistic challenge, a spur to unattainably pure observation.” For four decades, his works have explored the American geo-political landscape through the lens of a patriot, albeit one that questions the murky ethics and humanist impact of his society. “All my films,” he has said, “are an attempt to ask, how liberated am I? Where did I come from? How am I progressing?” Benning will attend, along with director Gabe Kinger, who will introduce his documentary Double Play, a ‘Dinner with Andre’-style pairing of Benning and Richard Linklater.
SNOWPIERCER
No great shock that Bong Joon-Ho’s action epic will play in competition; the director’s long history with SFF dates back to 2004’s Memories of Murder, and the critically-acclaimed film has been a smash-hit in his home market, South Korea. The surprise, and a very pleasant one, is that local distributor Roadshow Films (notorious for sending hard-to-market niche product straight to DVD) will screen the director’s cut ahead of a planned Australian theatrical season. Starring Chris Evans, the film has only just set a US release date of June 27 after a protracted edit-suite war with distributor Harvey ‘Scissorhands’ Weinstein.
THE iMOM
Imagine Spike Jonze Her by way of Chris Columbus’ Bicentennial Man and you have Ariel Martin’s The iMom, just one of the stand-out finalists of this years Dendy Short Film awards. Fresh off its feting at Flickerfest, Martin’s imaginative take on hi-tech parenting will compete with new works from such talents as Warwick Young (Stuffed), Dave Wade (Welcome to Iron Knob) and Jessica Harris (Crochet Noir).
EXHIBITION: ROSEBUD
Thanks largely to the boundless enthusiasm of organiser Mathieu Ravier, the Festival meeting spot The Hub has become a vibrant space in which patrons can unwind and engage in buff banter. In 2014, it welcomes photo-art exhibition Rosebud, from famed lensman Hugh Carpenter, so named after the (spoiler alert) sled in Welles’ Citizen Kane. His work captures celebrities with the one item in their possession that they believe helps define them or holds some significant meaning.
WILLOW CREEK
It runs a lean 78 minutes, utilises the increasingly tiresome ‘found footage’ device, stars no-name actors Alexie Gilmore (pictured right) and Bryce Johnson and riffs on the hoary old ‘Bigfoot’ legend; not to mention it is directed by that comic from Police Academy 2 with the shrill, barking voice, Bobcat Goldthwait. So why is Willow Creek shaping up as the giddy thrill-ride of the always popular Freak Me Out program strand? It has some competition, though – Jerome Sable’s blackly-funny musical theatre/slasher effort, Stage Fright; Japan/Indonesia co-production, Killers, from the twisted minds of The Mo Brothers; and, the long overdue snowbound-zombie sequel, Dead Snow 2: Red vs Dead.
Full details of the Sydney Film Festival 2014 program and ticket sales can be found here.